Happy Easter!

Hosanna in the highest! Let our King be lifted up! Hosanna!

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Happy Easter!

Love,
Nik, Laura, Ellie, and Marko

The kids and I sang this song as part of our church’s choir today. I’m so grateful to have been able to sing this powerful message with them!

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2017 Q2 Finish-along Goals!

I like to dream about having abundant sewing time and consequently make absurdly long lists of things I want to sew. Therefore, I give to you the laughably ambitious list of what I hope to sew in the 2nd quarter of 2017 (i.e. April – June).

A little zippy pouch for Ellie, using the Noodlehead tutorial I’ve used so many times before (as requested by her after seeing the one I sewed for her cousin):

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A zippy wallet and a matching Makers Tote for myself, both also Noodlehead patterns, in fabric matching my Sewing Circle Tote and my Sidekick Tote.  I will be so deliciously, nerdily matchy-matchy!

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Two totes for Bmore Bags, a fundraising effort for the House of Ruth (fabric and pattern provided to me):

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A cover for the little cabinet in our guest room bathroom. We don’t like the way the fake glass looks (and especially don’t like the scallops) so I’m going to use this fabric to make a very simple whole cloth quilt to put on the front (probably with Velcro).

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I need to add the words, “HE IS RISEN!” to the back of our Happy Birthday bunting so that we can use it for Easter too. Obviously, I need to do this ASAP. I’m going to use Wonder-Under to fuse the letters on. When I made this last fall, I purposely made the back with those greens so that I could make this side for Easter and then forgot to actually do it. Oops.

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I’m going to turn this in-progress four-block New York Beauty into a very fancy cafe-style curtain for our downstairs bathroom. I’m going to add some pink paper-piecing butterflies to the back (so we can enjoy them when we’re in our yard).

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This fabric perfect matches our dining room/living room paint. I bought it in 2013 (oops) and had planned on making a table runner or place mats with it. Instead (or at least to start with in Q2), I want to make napkin rings, four total, each with one of our initials, in the hopes of being able to use our cloth napkins a bit longer (and reduce laundry).

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Also for our guest room bathroom, these English paper pieced hexies need to be quilted onto background fabric and turned into a curtain/decorative work of art. I really should be able to finish this in not much time. I already did all the hard work! That blue Kona swatch in the middle is the color I’m planning on using for the background. It matches the accent wall in our bathroom.

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Finally, this seems pretty silly to add but I do want to finish them: I embellished these store-bought curtains last spring to hang in the upstairs bathrooms of our community association hall. But they’re too long. So I need hem them shorter and also make the hanging pocket at the top bigger. I just want them out of my sewing room!

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With the yard work season about to come into full swing, I’ll be glad to get half this list done! 🙂 Wish me luck!

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My No-Shave Experiment – The Research (860 Days and Counting)

This is part 4 in my “No-Shave Experiment” mini-series. Here’s part 1 – the reveal, 1a – a call for personal experience, part 2 – the rant, and part 3 – the reflection.

Back in September 2015, I finally finished reading Plucked: A History of Hair Removal, by Rebecca Herzig. I typed my notes into a draft blog post and it sat there for many months. Lately, I’ve felt the need for some closure on this “No-Shave Experiment”, begun in November 2014 (because it’s really not an experiment for me any more) and so I’m going to try to push through and finish the final three posts in the series.

Rather than try to mold my notes (taken almost 18 months ago) into any sort of coherent report, I’ve organized them into categories but just left them in note form. For the most part, these are my own summaries of what I read.  Sentences/phrases in quotation marks are taken directly from Plucked. (Any errors in the quotations are definitely mine.)

Hair Removal (HR) through the ages:

  • Overall impression: hair removal as both racist and sexist (the more hairy the person, the more crass, visible body hair = “dirty foreigner”)
  • HR among non-native women in the US started around 1910/15 as hemlines started to rise – considered essential for sleeveless gowns
  • HR as a way for middle-class American women to “separate oneself from cruder …lower class, and immigrant [people]”
  • shaving = with the need for private bathroom/indoor plumbing, therefore a mark of the well-off
  • By 1938, for women, any hair not on scalp is considered excessive. Also, Gilette’s need to sell more shaving stuff after World War 1 (to keep up higher sales due to the bare faces needed for gas masks) motivated them to start advertising to women. Advertising avoiding mention of blade and instead referring to “caring for niceties of personal habit.” Shortages of nylon/silk in WWII meant women started to go bare-legged and wanted to maintain the look of stockings, hence needing to shave.

Hair Removal (HR) in more recent times:

  • unshaven armpits as political statement – feminism, symbolic reminder of the often “repetitive, expensive and often invisible labor of maintaining hair-free flesh” – either as trivial nuisance or very embodiment of women’s oppression.
  • For advocates of Black Power and Black Nationalists, revised treatment of head hair became a vital element of resistance to racist perceptions of beauty and Eurocentric standards of appearance. [I think that this was a direct quote from the book because they don’t sound like my words but I didn’t have the quotes in my notes so I’m not sure.]
  • “The treatment of armpit, facial, or leg hair…provide women’s liberationists with a malleable and visible symbol of their commitment to the ‘natural,’ unconfined body. Simply by ceasing shaving, advocate of women’s rights might quickly establish their identification with larger social movements.”
  • Another [maddening] example of “gendered social control”: the forcible, mandatory shaving of pubic hair at the beginning of labor. (This is a practice that thankfully has almost completely died but still makes me furious to think about it happening.)
  • “visible body hair on women signals political extremism” – like the radical PETA activist in the [possibly a hoax] NRA advertisement.
  • “If God gave it to me, why should I shave it off?” (A question I ask myself a lot and found it interesting to see it expressed in this book, not written at all from a Christian viewpoint.)
  • About waxing: Waxing depends on “conversion of petroleum waste into valuable by-product” – i.e waxing is NOT a carbon-neutral activity.  The Brazilian wax came out of porn (if everyone has shaved legs, how can we make porn more shocking?). Waxing brands/formulas are not regulated like cosmetics (i.e. no mandatory testing procedures). Brazilian waxing is SO incredibly painful for the client but also bad for the workers (repetitive strain injuries, noxious chemicals/fumes) and primarily depends on cheap immigrant labor.

On why people say they shave

  • “Over time, hairlessness, once perceived as characteristic “deficiency of the continents” (i.e. of indigenous peoples), [has become] normalized – a persistent standard of health, beauty, cleanliness, and desirability.”
  • “When asked, however, Americans tend to downplay the influence of such norms and values [see above].  Instead they attribute their own hair removal practices to “personal” goals of increased attractiveness, elevated self-esteem, and enhanced sexual pleasure.” They attribute their decisions to personal choice, individual freedom = the “right” to shave (To which I have to thing: Really?!?! – as in, you’re glad to have the right to spend a bunch of money and time taking hair off your body?)

In Conclusion

“The uneven effects of “personal” enhancements are distributed broadly, temporally, and geographically.  Those uneven effects, moreover, are routinely excluded from ethical and political debates.  Plucked is,first and foremost, a call to remember those excluded others: the staggering volumes of sweat and blood and imagination and fear expended to produce a single hairless chin.”

As you can probably tell from my editorial asides, I just kept getting more annoyed, the further into the book I read.  If you’re interested in the history of hair removal, I really do highly recommend reading the whole book.  I’ve barely scratched the surface with these notes.

P.S. Want to read more? Check out this article in The Atlantic. It quotes quite a bit from Plucked and the comments section was really fascinating to me. (I NEVER read the comments section these days but got sucked into this one for some reason.)

Still to come: the [anecdotal] RESEARCH and the RESOLUTION (Can you guess what it will be?)

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Handmade Christmas 2016: Owls and Stars and Colors, Oh My!

I can finally reveal the final four presents that I sewed for my family for Christmas. These four were definitely sewn in 2017 but they still count as Handmade Christmas 2016, right?

My niece and nephew were both two this Christmas (or close to it) so I made them color books! I used my own tutorial, which I’m so glad I wrote because otherwise I’d have to be reinventing the wheel every time I make these! The last one I made was for Marko, over two years ago.

img_0406img_0407And because I know my mother likes to see the inside of these also, here are the inner pages. Finding all the different fabrics for these books is probably my favorite part of sewing them.

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I figured I shouldn’t totally ignore Annika and Andrew’s families however, so for Chris and Katie (Annika’s parents), I sewed an owl from the Fancy Forest quilt pattern (same pattern that Rachel’s fireflies came from). For those of you who follow me on Instagram, here’s the front of that crazy bunch of orange seams!

img_0396I drafted the paper piecing pattern for that arrow myself.  It’s not perfect but it was fun!

img_0398had fun doing some irregularly-spaced diagonal quilting on this one!

For Jon and Leah (Andrew’s parents), I sewed them a Striped Star in blues and greens. I thought I knew the lesson that the less you use a color, the more you notice it but was still fairly surprised by how noticeable the tiny strips of green came out. I also had fun using the leftovers from Ellie’s Easter dress as the back ground.

img_0394img_0395inner green fabric also seen in Marko’s quilt and the blues seen in this table runner

As with the other pillows I made this Christmas, I closed them with an invisible zipper (using this tutorial) and backed them with soft, fuzzy flannel.

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Here they are, all best buddies before the owl and Annika’s book headed to Alaska and the star and Andrew’s book headed for Belfast, Northern Ireland.

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These four projects are also Finish-along finishes for first quarter, 2017!

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Beehive, March 2017 – Here We Come!

This post is primarily for the other quilters in the #beehiveswarmmerrilee but if you want some paper piecing tips or just are curious about my quilting life, read on. 🙂

This year, for the first time ever, I’m participating in an online quilting bee, organized by Alyce at Blossom Heart Quilts, called The Beehive.  I’m the “Queen Bee” for March so this is my post to give instructions to my bee-mates.

First, my block:

I’ve chosen the “Treasure Hunt” block. It’s paper-pieced but it’s a really simple design with no crazy angles.  So if you’re new to paper-piecing, this will be a great first project and for those of you who know how to paper piece, it will be super easy.

Here’s my sample block:

052colors of tools not purposefully matched to colors of block 🙂

Color Choice

I’d like the block to contain a variety of monochromatic grays of different value (i.e. dark gray to light gray). I’d like them to be as close to true gray (if that’s a term) as you can, so not veering into blueish-gray, reddish/purplish-gray, etc. I’d also appreciate leaving out any florals or stereotypically feminine patterns as this is a quilt for my husband and me to share.

055 the grays I am using

061examples of grays from my stash that didn’t work – either wrong color (the gray/white polka dots are way too blue) or wrong design (those bikes are a nice gray but the print has blue in it too)

In real life, these two piles look very different but they were super difficult to photograph (even when playing with warmth, saturation, etc during editing). So I hope the side by side comparison helps a bit.  The blues on the left are either too blue/green  or too pink to work (plus the one with flowers – no thanks!).

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For the two accent colors, I’d like bright green and bright orange, matched to these two colors if you can:

So, in summary, you’ll need four grays, plus green and orange.

Color Placement

In the interest of helping the repeating pattern really show itself, I’d like the darkest gray to be on A1 and the lightest gray to be on A5.  For the accent colors, please make A3 orange and A5 green. When I sewed my sample block, I wrote a description of each fabric directly onto the template to ensure I put the correct fabric in the correct place.

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I wrote on all four templates as you can see, and then lined them up before sewing, just to make sure that I had written the colors correctly. A little anal perhaps but I hate making mistakes and seam ripping with paper-piecing is a HUGE pain!

Some paper-piecing tips:

Alyce has a great paper-piecing tutorial so definitely read that if you’re new to paper piecing.  And please, pay particular attention to measuring the template after you’ve printed it.  When I first printed it, even though I thought I’d told the printer to print the correct way, it still shrunk it a bit.  So be sure your template measures 6.5″ before you start sewing.  Remember to print 4 templates!

This blog post has a couple introductory videos if you want a paper piecing visual.  I don’t agree with her assertion that you have to use fancy paper.  I just use plain old copy paper and it works fine! (And Carolyn Friedlander agrees with me – she’s the one who told me to use it when I took her class last spring!) I also don’t bother pre-perforating my lines.  Just the actual sewing makes the paper plenty easy enough to rip out.  I do pre-crease all my lines before I start sewing though.  That way, I don’t have to stop after every seam to crease the next line.

A few other thoughts:

1. As Alyce and Carolyn recommend, I use cheap copy paper and don’t have any issues with it other than when ironing open seams after joining sections.  The ink usually smears so I use a press cloth to keep the ink on the press cloth and not on the iron (and consequently my block).
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2. I don’t use the printed seam allowance as my guide for the edge of the block.  Rather, I cut that off a bit (with scissors in advance) and then use my ruler to add a 1/4″ just like I do for all other seams in the block.

047looks off but it’s correct because I cut down the paper before sewing!

3. When joining sections, Wonder clips are your best friend! Also, I first join the section using my longest stitch (which is a 4 on my machine) and then check to see that the sections are lined up correctly and that the back line is correct also. If it’s lined up correctly, then I just go back to my usual paper-piecing stitch length (1.5) and sew back over the seam to finalize the seam.  If it’s off, the long basting stitch is really easy to remove from the fabric without ripping the paper.
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looks pretty good!

4. When the instructions say, “Remove paper from the seam allowance”, it means remove the paper from the SA after you’ve joined two sections.  (This didn’t make any sense to me until I started.

049paper gone from the seam allowance (on both sides)

5. After I make the final seam to join all sections in a block, I remove all my papers before ironing that final seam.  I find it a lot easier to get the last seam ironed accurately with the paper gone (plus you don’t have to worry about ink smearing).
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6. I know some people like to keep the papers in their blocks until the whole quilt is pieced but I do NOT.  So please, pretty please, take out all the papers before sending your block to me.  It will be easier for you to mail and so much easier for me when completing my quilt top!
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7. Finally, this block produces a lot of fun tiny triangle scraps.  If you don’t want them, I’d love it if you send yours along to me.  I have thoughts of trying to make something out of them.
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And now that I’ve totally overwhelmed you with way too much information for one little block, I hope you have fun sewing! Thank you SEW much! 🙂

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Finish It Up, 2017 Edition

As has been my practice for the past few years (2010, 2014, 2015, 2016), near the end of 2016, I made a list of all the sewing projects that I have outstanding. I have already made good progress on them but, as has been par for the course of my blogging life, haven’t written anything until now.  I did manage to post something on Instagram in order to join up with the Finishalong and I’ve posted a few updates there.  I do want to have a more comprehensive list for myself though so here it is!

Here’s my official Finishalong list (find the picture of everything here):

Finished already:

  1. Marko’s birthday shirt (finished but not blogged about yet because I haven’t managed to convince him to wear it even though he requested that I sew him one. Sound familiar?
  2. The Hobbit quilt (now finished!)
  3. The Firefly quilt (now finished!)
  4. surprise project #1 – there are two of these and I just finished them but can’t reveal them until they’ve been delivered!
  5. Finish last details on Ellie’s birthday dress (buttonholes, buttons, etc.) (also now finished but not blogged but I do have tons of adorable pictures! Here’s one to keep you happy for awhile.)
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  6. Make a change purse for my niece Selah (finished! See it here.)

Still to do (before the end of March hopefully!):

  1. surprise project #2 and #3 – These need to be finished and mailed along with surprise #1 before they can be revealed.
  2. Two B-More Bags totes (I have the kits but haven’t started them)
  3. Make Ellie’s family reunion skirt a bit bigger and make a new reunion flower for me.
  4. Finish two more flowers made from a bridesmaid’s dress from my wedding.
  5. Finish my Carkai Hexies project and turn it into our guest room bathroom curtain.
  6. Finish my Facing East mini-quilt.
  7. Make a storage case for the “Happy Birthday!” bunting.

Additionally, I have several more projects I really would like to get done this spring (some of which will likely end up being on my quarter 2 Finishalong list):

This is what I’ve already finished:

  1. Fix Ellie’s knitted doll’s hat.
  2. A pouch with zipper for my bullet journal markers

Still to do:

  1. Hem my new jeans and Nik’s new jeans.
  2. Put Ellie’s Easter 2016 dress back together so she can wear it again. (Clearly I made it too big last year.)
  3. Finish the curtains that I made for our community association hall’s upstairs bathrooms.
  4. Make the cupboard door cover for our upstairs guest bathroom.
  5. Make fancy dinner napkins (to match the tablecloth I made last year during this time).
  6. Make Christmas stockings for Nik and me.
  7. Make several more corn sacks for our family.
  8. Make napkin rings for us to use at our dining room table (to hopefully reduce the number of cloth napkins we go through in a week).
  9. A new curtain for our main bathroom (from last year’s list)
  10. Fix our bathmats (also from last year’s list)
  11. A new wallet for me (to match my sidekick tote)
  12. Add Easter words to the back of the “Happy Birthday!” banner!
  13. Fix our wool pillows.

Think that’s enough to do? 😉

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Handmade Christmas 2016: A Hobbit Quilt

Last year, I had the brilliant idea of making a Gandalf felt ornament for my brother and his family for Christmas.  It didn’t happen so this fall, as I was searching Pinterest for ornament ideas, I came across a site, Fandom in Stitches, that has hundreds of paper-piecing patterns for all kinds of books and TV shows, including the Hobbit and Lord of the Rings.

With this treasure trove, how could I not use a few and make them a Hobbit Quilt instead?

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Not being a Hobbit expert myself, I ended up choosing blocks based on general familiarity (Gandalf and ring) and visual appeal (river and dragon).

239Gandalf: “Tales and adventures sprouted up all over the place wherever he went, in the most extraordinary fashion.” (The Hobbit, Ch. 1)

236The Bridge to Rivendell:The elves had brought bright lanterns to the shore, and they sang a merry song as the party went across.” (Ch. 3)

237The Precious: “He guessed as well as he could, and crawled along for a good way, till suddenly his hand met what felt like a tiny ring of cold metal lying on the floor of the tunnel. It was a turning point in his career, but he did not know it. He put the ring in his pocket almost without thinking; certainly it did not seem of any particular use at the moment.” (Ch. 5)

238Smaug:He was just about to step out on to the floor when he caught a sudden thin and piercing ray of red from under the drooping lid of Smaug’s left eye.” (Ch. 12)

For the backing, I used the last of this original Denyse Schmidt Flee Market Fancy.  I had no idea what I was buying when I bought it way back when and it was years before I realized that FMF was a super popular fabric line.  Anyway, I love how it looks with the other colors in the quilt and now feel slightly justified for hoarding it for so long.

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For the first time in my quilting career, I decided to do some big stitch hand-quilting to finish off the quilt and had a lot of fun figuring it out as I went.  I still much prefer the speed and precision of machine quilting but I can definitely see adding some big stitch details to future quilts!

Throughout the quilt, I had fun using some of the low-volume, shimmery fabrics that the members of the Baltimore Modern Quilt Guild had given me. I like how each block has the added dimension of shimmer in some way (Gandalf’s hat and beard, the bridge, the ring, and Smaug’s background). It’s one unifying factor in the quilt.  The other is that I tried to be intentional in how I used the background fabric.  Unlike the block samples, I wanted Gandalf and the ring to float on the quilt (i.e. to seem as if they weren’t in a block). And I wanted Smaug’s block to be sort of shattered, partly block-ish, partly fading into the sashing.  All in all, I’m so pleased with how this turned out and I hope their Hobbit-loving family loves it too.

Finally, thanks to this quilt, now Ellie wants me to read her The Hobbit.  I need to reread it myself to figure out when she’ll be ready to hear it.  I haven’t read it in probably at least 25 years!

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One note on the paper-piecing patterns.  I found the patterns themselves to be really easy to use.  But when I started to trim the blocks to sew them together, I discovered that they finished at all different sizes (some smaller and some larger than the stated 7″ finished size). So if you do use these patterns, just be prepared to do some creative sashing to get them all together.  I can hardly complain though. The patterns are free, after all. 😉

Posted in family, holidays, sewing | 4 Comments